Damnation Alley

It is this, more than anything else in the entire world, that demands regard.

A setting, nothing more, no plot, no characters.

Because of this nearness and this distance.

Put a frame around it if you would, and call it what you would, if you would.

But the winds will scream with the seven voices of judgment, if you're there to hear them, and may you never, and it just doesn't seem that any name will fit.

He drove along, and after a time he heard the sound of another bike. A Harley cut onto the road from the dirt path to his left, and he couldn't try ru

After a while the rider of the other bike, a tall, thin man with a flaming beard, drew up alongside him, to the left. He smiled and raised his right hand and let it fall and then gestured with his head.

Ta

"Boston."

"What you got in the box?"

"Like, drugs."

"What kind?" and the man's eyebrows arched and the smile came again onto his lips.

"For the plague they got going there."

"Oh. I thought you meant the other kind."

"Sorry."

The man held a pistol in his right hand, and he said, "Get off your bike."

Ta

"What's the bit?" Ta

The man ignored the question. "Who are you?" he asked.

"Hell's the name," he replied. "Hell Ta

"Go to hell."

Ta

"You ain't Hell Ta

Ta

"There's my name."

"I don't believe it," said the man after he had studied the tattoo.

Hell shrugged. "Have it your way, citizen."

"Shut up!" and he raised his left hand once more, now that the other man had parked the machine on the road and returned to a place somewhere within the trees to the right.

In response to his gesture, there was movement within the brush.

Bikes were pushed forward by their riders, and they lined the road, twenty or thirty on either side.

"There you are," said the man. "My name's Big Brother."

"Glad to meet you."

"You know what you're going to do, mister?"

"I can guess."

"You're going to walk up to your bike and claim it."

Ta

"No trouble at all. Just start walking. Give me your rifle first, though."

Big Brother raised his hand again, and one by one the engines came to life.

"Okay," he said. "Now."

"You think I'm crazy, man?"

"No. Start walking. Your rifle..."

Ta

He fell upon the rifle and shouldered it in a prone firing position. As he did this, the first explosion occurred. He was firing before the second one went off.

He dropped three of them, then got to his feet and scrambled, firing from the hip.

He made it behind Big Brother's fallen bike and fired from there. Big Brother was still fallen, too. When the rifle was empty, he didn't have time to reload. He fired the .45 four times before a tire chain brought him down.

He awoke to the roaring of the engines. They were circling him. When he got to his feet, a handlebar knocked him down again.

Two bikes were moving about him, and there were many dead people upon the road.

He struggled to rise again, was knocked off his feet.

Big Brother rode one of the bikes, and a guy he hadn't seen rode the other.

He crawled to the right, and there was pain in his fingertips as the tires passed over them.

But he saw a rock and waited till a driver was near. Then he stood again and threw himself upon the man as he passed, the rock he had seized rising and falling, once, in his right hand. He was carried along as this occurred, and as he fell he felt the second bike strike him.

There were terrible pains in his side, and his body felt broken, but he reached out even as this occurred and caught hold of a strut on the side of the bike, and was dragged along by it.

Before he had been dragged ten feet, he had drawn his SS dagger from his boot. He struck upward and felt a thin metal wall give way. Then his hands came loose, and he fell, and he smelled the gasoline. His hand dived into his jacket pocket and came out with the Zippo.

He had struck the tank on the side of Big Brother's bike, and it jetted forth its contents on the road. Thirty feet ahead, Big Brother was turning.

Ta

Big Brother had turned and was bearing down upon him when he saw what had happened. His eyes widened, and his red-framed smile went away.

He tried to leap off his bike, but it was too late.

The exploding gas tank caught him, and he went down with a piece of metal in his head and other pieces elsewhere.

Flames splashed over Ta

He raised his head above the blazing carnage and let it fall again. He was bloody and weak and so very tired. He saw his own machine, standing still undamaged on the road ahead.

He began crawling toward it.

When he reached it, he threw himself across the saddle and lay there for perhaps ten minutes. He vomited twice, and his pains became a steady pulsing.

After perhaps an hour he mounted the bike and brought it to life.

He rode for half a mile, and then the dizziness and the fatigue hit him.

He pulled off to the side of the road and concealed his bike as best he could. Then he lay down upon the bare earth and slept.

Within the theater Agony on the stage of Delirium in the heat-lightning lit landscape of Night and Dream there go upon the boards the memories that never were, compounded of that which was and that which is not, that which is and that which can never be, informed with fleeting or lingering passions, sexless or sexful, profound or absurd, seldom remembered, sometimes coherent, beautiful, ugly, or mundane upon experience, generally inane in reflection, strangely sad or happy, colorfully dark or darkly light, and this is about all that can be said of them, save that the spark which ignites them, too, is unknown.

A man in black moves along a broken roadway beneath a dimly glowing sky.

I am Father Dearth, a priest out of Albany, he seems to say, making my pilgrimage to the cathedral in Boston, going down to Boston to pray for the salvation of man. Over the mountains, down the Alley, by a foam-flecked stream, past the blazing mountain and over the swaying bridges, heavily my footfall rings. In this wood beside the road, there will I await the dawn, there where the dew lies thick.

There comes a sound, as of the steady rumble of an engine, but it neither rises nor diminishes in volume. Then to it is added the sound as of one striking upon a fender with a stone at five-second intervals. This continues.

Another approaches the wood, dressed all in gray and wearing a red mask with concentric circles about the eyeholes, a thin line for a mouth, sunken cheeks, and three dark V's in the center of the forehead.