Homeless in Hell

Orson Scott Card

Homeless in Hell

A Christmas Story

This is a rather dark tale in places, not meant for children. (So for heaven's sake, don't read this to your family on Christmas Eve.) For the rest of you, we hope you enjoy it, and have a merry Christmas!

If you don't get into heaven, you go to hell, right? That's what I'd always been taught. Heaven is Harvard, and hell a county technical college. If you finished high school, they've got to take you. Except that with hell, dying is the only diploma you're supposed to need.

I read those near-death-experience books, where they talked about how "the light" was full of warmth and love. Well, it was nice, but it sort of sets you up for disappointment, because when you're really dead and not just straying in there by accident, you get past that feel-good stage and suddenly you're at the light, and either it sucks you in or it shunts you away, like a magnet, and it all depends on how you're polarized.

I got pushed away.

Well, what did I expect, anyway? I used to go to church and all, but I wasn't much of a stickler on, like, telling the truth and helping my neighbor. And office supplies from work had a way of ending up at home. Not a lot, but I wasn't exactly perfect. Lots of looking upon women to lust after them. Just at the Victoria's Secret level. Quarreled with my wife a lot but I never hit her, though I did compare her to her mother way too often. Kind of the normal sins. I was sort of hoping they graded on the curve -- I figured I was bound to make the top half. But no, it's straight percentage, you get one question wrong and you're out.

So what's the other choice? Hell, right? I start looking around, wondering if Dante was just making it all up and if not, which circle would I get into?

The answer is, Dante didn't know squat, there are no circles. You just find yourself on a street in hell and you go up to a door (and it's always the same door, no matter what the street is) and you see people going in and out, dressed to the nines, and you think, Cool, there are good clothes in hell, which stands to reason, really, and you go up to the door and you knock and the guy looks at you like you're a worm and he says, "Name?"

So I say my name and he makes this moue with his mouth like you sort of passed your expiration date about a month ago and he says, "Please, don't waste my time," and he starts to close the door in your face.

"Wait a minute," you say, "this is hell, right?"

"Hades," he says, and you can taste the contempt.

"Well I didn't make heaven, so you've got to let me in."

"No," he says, and then with a kind of faux patience he explains, "The place where, when you go there, they have to take you in, that's home. Not hell. We don't have to take just anybody. We're all about class here, nobody wants to look around and see you. There are real celebs inside. Stalin. Hitler. Caligula, for heaven's sake -- oops, did I say that?"

"I'm not asking for the best seat in the house."

"There is no table insignificant enough for you."

I did a quick calculation -- how many people ever lived on earth, how many would likely fail the entrance exam for heaven, and how many first-rank si

"You bogey off and stop blocking the door."

"What do you think this is? Studio 54?"

He laughs. "Oh, no, it's much worse. It's like junior high. And you ... ain't ... cool."

And you get a big hand planted in your chest and when he pushes you don't fall, you fly across the street and smash into a building only it doesn't hurt -- you're dead, remember? -- and you're not injured and it begins to dawn on you, you're stuck in hell but you can't get in. You try a few other doors and the same guy is waiting behind every one of them to bounce you. And it's starting to rain. A thin cold drizzle, and even though you can't actually get injured, you can get cold and damp, or at least you feel like you've been left out in the cold, which in fact you have. You're not going to get sick, you're not going to starve, but you're also not going to get in.

Not that I was alone out there. There are a lot of streets in hell, and lots of homeless people wandering around. And they seem just about as crazy as the normal mix of homeless people. A few who look like they're waiting for a drug deal to go down, only I knew it was a fake, because what is there to buy or sell, and even if they're carrying -- because you pretty much look the way you see yourself, so some people are armed -- they aren't dangerous. If they had ever been truly dangerous, they'd be inside watching the strippers, or whatever they did inside Club Styx. These guys think if they look bad enough, if they say enough rude things to passersby, maybe someday they'll get by the bouncer. Ditto with the ones who look like hookers. They've got nothing to sell. But let's face it. Not everybody in hell is bright.

Then there are the crazies, shouting and preaching about Jesus and the end of the world, only it dawned on me pretty quickly that they aren't crazy -- I mean, after you die there's no schizophrenia because there's no brain to malfunction. They're preaching because they're trying to tip the balance the other way, to show how righteous they are, denouncing sin, calling out the name of Jesus -- or whoever, depending, but most of the shouters were, like, born again, only it apparently didn't take the way they thought.

I stood there watching them, and walked around watching them, and sat down and watched them, and no matter how hard I tried, I couldn't bring myself to care. It began to dawn on me just how long eternity was going to be, stuck on the streets of hell. I tried street after street, only nothing changed except the faces. The language didn't even change, because after you're dead all the languages become the same. They speak, and they think they're speaking Arabic or Tagalog, only what you hear is English, or at least you think it is. If you speak English. Anyway, you can understand everybody, and that's the worst, because you can't even go to a place where you don't understand the words people are saying so you can tune them out. You're always tuned in and it's so boring.

Daytime comes and goes, just like on earth, and gradually it began to dawn on me that this was earth. In fact, it was Washington DC, which is where I happened to buy the farm, hit by a car trying to cross Wisconsin in Georgetown on New Year's Eve 1999, which meant that whether the world ended that night the way everybody said it might, it definitely ended for me. I knew the streets. I could walk down the mall. Only everybody I saw was dead.

I thought for a while that the whole world must have died or something, but then you'd think there'd be more newly dead people like me, you know, the whole government thing, if the world ended surely some significant percentage of them would go to hell, and surely they couldn't all qualify to get into Studio 666, so where were they? No, the world hadn't ended, just my little oxygen- consuming, carbon-dioxide-expelling bag of blood and bone.

And now that I was looking for it, I began to see the signs that life was going on. Things changed position. Garbage cans were in one place and then they were in another. Cars were parked somewhere and then they weren't. But you never actually saw them move. Nothing moved. It was like when they were in motion, they disappeared. And it occurred to me that it was like long- exposure photography. You set the exposure time really long, the aperture very small, and the only things you get are the things that don't move. Pedestrians, cars, anything that moves is gone.

It's like in hell time passes so slowly that living people are invisible to us. I had it figured out!