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“I don't care about your files.”
It was too much for him. “What do you care about then? What are you trying to do to me?” He took her by the shoulders, lifted her out of her chair, shook her, screamed in her face. “It's my father they killed out there, and you have the answer to why they killed him, you know what the simulation was! Now tell me, show me!”
“Never,” she whispered.
His face was twisted in agony. “Why not!” he cried.
“Because I don't want you to die.”
She saw comprehension come into his eyes. Yes, that's right, Libo, it's because I love you, because if you know the secret, then the piggies will kill you, too. I don't care about science, I don't care about the Hundred Worlds or relations between humanity and an alien race, I don't care about anything at all as long as you're alive.
The tears finally leapt from his eyes, tumbled down his cheeks. “I want to die,” he said.
“You comfort everybody else,” she whispered. “Who comforts you?”
“You have to tell me so I can die.”
And suddenly his hands no longer held her up; now he clung to her so she was supporting him. “You're tired,” she whispered, “but you can rest.”
“I don't want to rest,” he murmured. But still he let her hold him, let her draw him away from the terminal.
She took him to her bedroom, turned back the sheet, never mind the dust flying. “Here, you're tired, here, rest. That's why you came to me, Libo. For peace, for consolation.” He covered his face with his hands, shaking his head back and forth, a boy crying for his father, crying for the end of everything, as she had cried. She took off his boots, pulled off his trousers, put her hands under his shirt to ride it up to his arms and pull it off over his head. He breathed deeply to stop his sobbing and raised his arms to let her take his shirt.
She laid his clothing over a chair, then bent over him to pull the sheet back across his body. But he caught her wrist and looked pleadingly at her, tears in his eyes. “Don't leave me here alone,” he whispered. His voice was thick with desperation. “Stay with me.”
So she let him draw her down to the bed, where he clung to her tightly until in only a few minutes sleep relaxed his arms. She did not sleep, though. Her hand gently, dryly slipped along the skin of his shoulder, his chest, his waist. «Oh, Libo, I thought I had lost you when they took you away, I thought I had lost you as well as Pipo.» He did not hear her whisper. «But you will always come back to me like this.» She might have been thrust out of the garden because of her ignorant sin, like Eva. But, again like Eva, she could bear it, for she still had Libo, her Ad o.
Had him? Had him? Her hand trembled on his naked flesh. She could never have him. Marriage was the only way she and Libo could possibly stay together for long– the laws were strict on any colony world, and absolutely rigid under a Catholic License. Tonight she could believe he would want to marry her, when the time came. But Libo was the one person she could never marry.
For he would then have access, automatically, to any file of hers that he could convince the computer he had a need to see– which would certainly include all her working files, no matter how deeply she protected them. The Starways Code declared it. Married people were virtually the same person in the eyes of the law.
She could never let him study those files, or he would discover what his father knew, and it would be his body she would find on the hillside, his agony under the piggies' torture that she would have to imagine every night of her life. Wasn't the guilt for Pipo's death already more than she could bear? To marry him would be to murder him. Yet not to marry him would be like murdering herself, for if she was not with Libo she could not think of who she would be then.
How clever of me. I have found such a pathway into hell that I can never get back out.
She pressed her face against Libo's shoulder, and her tears skittered down across his chest.
Chapter 4
Ender
We have identified four piggy languages. The “Males' Language” s the one we have most commonly heard. We have also heard snatches of “Wives' Language,” which they apparently use to converse with the females (how's that for sexual differentiation!), and “Tree Language,” a ritual idiom that they say is used in praying to the ancestral totem trees. They have also mentioned a fourth language, called “Father Tongue,” which apparently consists of beating different-sized sticks together. They insist that it is a real language, as different from the others as Portuguese is from English. They may call it Father Tongue because it's done with sticks of wood, which come from trees, and they believe that trees contain the spirits of their ancestors.
The piggies are marvelously adept at learning human languages– much better than we are at learning theirs. In recent years they have come to speak either Stark or Portuguese among themselves most of the time when we're with them, Perhaps they revert to their own languages when we aren't present. They may even have adopted human languages as their own, or perhaps they enjoy the new languages so much that they use them constantly as a game. Language contamination is regrettable, but perhaps was unavoidable if we were to communicate with them at all.
Dr. Swingler asked whether their names and terms of address reveal anything about their culture. The answer is a definite yes, though I have only the vaguest idea what they reveal. What matters is that we have never named any of them. Instead, as they learned Stark and Portuguese, they asked us the meanings of words and then eventually a
They refer to each other as brothers. The females are always called wives, never sisters or mothers. They sometimes refer to fathers, but inevitably this term is used to refer to ancestral totem trees. As for what they call us, they do use human, of course, but they have also taken to using the new Demosthenian Hierarchy of Exclusion. They refer to humans as framlings, and to piggies of other tribes as utla
– Joao Figueira Alvarez, “Notes on 'Piggy' Language and Nomenclature,” in Semantics, 9/1948/15
The living quarters of Reykjavik were carved into the granite walls of the fjord. Ender's was high on the cliff, a tedious climb up stairs and ladderways. But it had a window. He had lived most of his childhood closed in behind metal walls. When he could, he lived where he could see the weathers of the world.
His room was hot and bright, with sunlight streaming in, blinding him after the cool darkness of the stone corridors. Jane did not wait for him to adjust his vision to the light. “I have a surprise for you on the terminal,” she said. Her voice was a whisper from the jewel in his ear.
It was a piggy standing in the air over the terminal. He moved, scratching himself; then he reached out for something. When his hand came back, it held a shiny, dripping worm. He bit it, and the body juices drizzled out of his mouth, down onto his chest.
“Obviously an advanced civilization,” said Jane.
Ender was a
The piggy turned and spoke. “Do you want to see how we killed him?”
“What are you doing, Jane?”
The piggy disappeared. In his place came a holo of Pipo's corpse as it lay on the hillside in the rain. “I've done a simulation of the vivisection process the piggies used, based on the information collected by the scan before the body was buried. Do you want to see it?”