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The bartender gave me that smile and was about to give me the customary free one on the house toward my legal limit of two. But Trilby changed all that.

"Two Irish whiskeys, please. On the rocks." She said it firmly, raising her voice a little, and a complex thing happened between her and the bartender. She gave him a look, his eyebrow twitched and he glanced at me, seemed to understand something. His whole attitude toward me changed.

I had the feeling something had gone over my head, but didn't have time to worry about it. I never had time to worry when Trilby was around. The drinks arrived, and we sipped them.

"I wonder why they still call it Irish?" she said.

We launched into a discussion of the Invaders, or Ireland, or Occupied Earth. I'm not sure. It was inconsequential, and the real conversation was going on eye to eye. Mostly it was her saying wordless things to me, and me nodding agreement with my tongue hanging out.

We ended up at the public baths down the corridor. Her nipples were shaped like pink valentine hearts. Other than that, her body was unremarkable, though wonderfully firm beneath the softness. She was so unlike Trigger and Denver and Cathay. So unlike me. I catalogued the differences as I sat behind her in the big pool and massaged her soapy shoulders.

On the way to the ta

What was so different about it?

I pondered that during the long walk from the slide terminus to my home. Trilby and I had made love for the better part of an hour. It was nothing fancy, nothing I had not already tried with Trigger and Denver. I had thought she would have some fantastic new tricks to show me, but that had not been the case.

Yet she had not been like Trigger or Denver. Her body responded in a different way, moved in directions I was not used to. I did my best. When I left her, I knew she was happy, and yet felt she expected more.

I found that I was very interested in giving her more.

I was in love again.

With my hand on the doorplate, I suddenly knew that she had already forgotten me. It was silly to assume anything else. I had been a pleasant diversion, an interesting novelty.

I hadn't asked for her name, her address or call number. Why not? Maybe I already knew she would not care to hear from me again.

I hit the plate with the heel of my hand and brooded during the elevator ride to the surface.

My home is unusual. Of course, it belongs to Darcy, my mother. She was there now, putting the finishing touches on a diorama. She glanced up at me, smiled, and offered her cheek for a kiss.

"I'll be through in a moment," she said. "I want to finish this before the light fails."

We live in a large bubble on the surface. Part of it is partitioned into rooms without ceilings, but the bulk forms Darcy's studio. The bubble is transparent. It screens out the ultraviolet light so we don't get burned.

It's an uncommon way to live, but it suits us. From our vantage point at the south side of a small valley only three similar bubbles can be seen. It would be impossible for an outsider to guess that a city teemed just below the surface.

Growing up, I never gave a thought to agoraphobia, but it's common among Lunarians. I felt sorry for those not fortunate enough to grow up with a view.

Darcy likes it for the light. She's an artist, and particular about light. She works two weeks on and two off, resting during the night. I grew up to that schedule, leaving her alone while she put in marathon sessions with her airbrushes, coming home to spend two weeks with her when the sun didn't shine.

That had changed a bit when I reached my tenth birthday. We had lived alone before then, Darcy cutting her work schedule drastically until I was four, gradually picking it up as I attained more independence. She did it so she could devote all her time to me. Then one day she sat me down and told me two men were moving in. It was only later that I realized how Darcy had altered her lifestyle to raise me properly. She is a serial polyandrist, especially attracted to fierce-faced, uncompromising, maverick male artists whose work doesn't sell and who are usually a little hungry. She likes the hunger, and the determination they all have not to pander to public tastes. She usually keeps three or four of them around, feeding them and giving them a place to work. She demands little of them other than that they clean up after themselves.

I had to step around the latest of these household pets to get to the kitchen. He was sound asleep, snoring loudly, his hands stained yellow and red and green. I'd never seen him before.





Darcy came up behind me while I was making a snack, hugged me, then pulled up a chair and sat down. The sun would be out another half hour or so, but there wasn't time to start another painting.

"How have you been? You didn't call for three days."

"Didn't I? I'm sorry. We've been staying on the bayou."

She wrinkled her nose. Darcy had seen the bayou. Once.

"That place. I wish I knew why—"

"Darcy. Let's not get into that again. Okay?"

"Done." She spread her paint-stained hands and waved them in a circle, as if erasing something, and that was it. Darcy is good that way. "I've got a new roommate."

"I nearly stumbled over him."

She ran one hand through her hair and gave me a lopsided grin. "He'll shape up. His name's Thogra."

"Thogra," I said, making a face. "Listen, if he's housebroken, and stays out of my way, we'll—" But I couldn't go on. We were both laughing and I was about to choke on a bite that went down wrong. Darcy knows what I think of her choice in bedmates.

"What about... what's-his-name? The armpit man. The guy who kept getting arrested for body odor."

She stuck her tongue out at me.

"You know he cleaned up months ago."

"Hah! It's those months before he discovered water that I remember. All my friends wondering where we were raising sheep, the flowers losing petals when he walked by, the—"

"Abil didn't come back," Darcy said, quietly.

I stopped laughing. I'd known he'd been away a few weeks, but that happens. I raised one eyebrow.

"Yeah. Well, you know he sold a few things. And he had some offers. But I keep expecting him to at least stop by to pick up his bedroll."

I didn't say anything. Darcy's loves follow a pattern that she is quite aware of, but it's still tough when one breaks up. Her men would often speak with contempt of the sort of commercial art that kept me and Darcy eating and paying the oxygen bills. Then one of three things would happen. They would get nowhere, and leave as poor as they had arrived, contempt intact. A few made it on their own terms, forcing the art world to accept their peculiar visions. Often Darcy was able to stay on good terms with these; she was on a drop-in-and-make-love basis with half the artists in Luna.

But the most common departure was when the artist decided he was tired of poverty. With just a slight lowering of standards they were all quite capable of making a living. Then it became intolerable to live with the woman they had ridiculed. Darcy usually kicked them out quickly, with a minimum of pain. They were no longer hungry, no longer fierce enough to suit her. But it always hurt.

Darcy changed the subject.

"I made an appointment at the medico for your Change," she said. "You're to be there next Monday, in the morning."

A series of quick, vivid impressions raced through my mind. Trilby. Breasts tipped with hearts. The way it had felt when my penis entered her, and the warm exhaustion after the semen had left my body.