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"All right. So it isn't news. So I've had things on my mind."

"I was hoping you'd like to talk about that."

"Maybe we ought to talk about what you said before."

"Concerning your hypothetical suffering had you incurred these injuries in, say, 1950?"

"Concerning your statement that I might prefer being dead."

"It was merely an hypothesis. I observe how little anyone today is equipped to tolerate pain, having never experienced an appreciable amount of it. I note that even the people on Old Earth, who were no strangers to it, often preferred death to pain. I conclude that many people today would not hold life so dear as to endure constant, unrelenting agony."

"So it was just a general observation."

"Naturally."

I didn't believe that, but there was no point in saying so. The CC would get to the point in its own way, in its own time. I watched the crawling lines on the machine and waited.

"I notice you're not taking notes concerning this experience. In fact, you've taken very few notes lately about anything."

"Watching me, are you?"

"When I've nothing better to do."

"As you certainly know, I'm not taking notes because my handwriter is broken. I haven't had it repaired because the only guy who still works on them is so swamped that he said he might get around to mine this coming August. Unless he leaves the business to start a career in buggy-whip repair."

"There actually is a woman who does that," the CC said. "In Pe

"No kidding? Nice to see such a vital skill won't vanish completely."

"We try to foster any skill, no matter how impractical or useless."

"I'm sure our grandchildren will thank us for it."

"What are you using to write your stories?"

"Two methods, actually. You get this soft clay brick, see, and you use a pointed stick to impress little triangles in it in different combinations. Then you put it on the oven to bake, and in four or five hours there you are. The original hard copy. I've been trying to think of a name for the process."

"How about cuneiform?"

"You mean it's been done? Oh, well. When I get tired of that, I get out the old hammer and chisel and engrave my deathless prose on rocks. It saves me carrying those ridiculous paper sheets into Walter's office; I just lob them across the newsroom and through his window."

"I don't suppose you'd consider Direct Interface again."

Was that what this was all about?

"Tried it," I said. "Didn't like it."





"That was over thirty years ago," the CC pointed out. "There have been some advances since then."

"Look," I said, feeling irritable and impatient. "You've got something on your mind. I wish you'd just come out with it instead of weaseling around like this."

It said nothing for a moment. That moment stretched into a while, and threatened to become a spell.

"You want me to direct interface for some reason," I suggested.

"I think it might be helpful."

"For you or me?"

"Both of us, possibly. There can be a certain therapeutic value in what I intend to show you."

"You think I need that?"

"Judge for yourself. How happy have you been lately?"

"Not very."

"You could try this, then. It can't hurt, and it might help."

So what was I doing at the moment so important that I couldn't take a few minutes off to chin with the CC?

"All right," I said. "I'll interface with you, though I think you really ought to buy me di

"I'll be gentle," the CC promised.

"What do I have to do? You need to plug me in somewhere?"

"Not for years now. I can use my regular co

I did, watching the blue lines peak and trough, peak and trough. The screen started to expand, as if I were moving into it. Soon all I could see was one crawling line, which slowed, stopped, became a single bright dot. The dot got brighter. It grew and grew. I felt the heat of it on my face, it was blazing down from a blue tropical sky. There was a moment of vertigo as the world seemed to spin around me-my body staying firmly in place-until I was lying not on my stomach but on my back, and not on the snowy white sheets of the repair shop at North Lunar Filmwerks but on cool wet beach sand, hearing not the soft mutterings of the medicos but the calls of seagulls and the nearby hiss and roar of surf. A wave spent its last energy tickling my feet and washing around my hips. It sucked a little sand out from under me. I lifted my head and saw an endless blue ocean trimmed with white breakers. I got to my feet and turned around, and saw white sandy beach. Beyond it were palm trees, jungle rising away from me to a rocky volcanic peak spouting steam. The realism of the place was astonishing. I knelt and scooped up a handful of sand. No two grains looked alike. No matter how close I brought the sand grains to my eyes, the illusion never broke down and the endless detail extended to deeper and deeper realms. Some sort of fractal magic, I supposed. I walked down the beach for a bit, sometimes turning to watch the cu