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Minamata was only one of the CC's horror chambers, and not the worst. Some of those stories have come out, some are still being suppressed. Most of them you'd really rather not know, trust me.
But what about the problem whose penultimate answer had been a being who thought he was Andrew MacDonald minus all human feelings, and whose final solution were the troops of mindlessly loyal soldiers that gave me so much trouble on the first day of the Glitch? Because they weren't really the end product. The CC had felt the technique was perfectible, and I have no reason to doubt it. That was the one the public was clamoring to know more about: immortality.
Yeah, but it wasn't really immortality, somebody said. All it meant was that somebody else very like you, with your memories, would live. You, the person sitting here at this table holding the most terrible cards you ever saw, would be just as dead as ever. Once the public understood that they'd realize it wasn't worth the trouble.
Don't you believe it, somebody else said. My cards aren't all that bad, and it's the only hand I've got, so I'll play 'em. Up to now people's only shot at living forever has been to produce something that will live after us. Artists do it with their art, most of the rest of us produce children. It's our way of living on. I think this would appeal to the same urge. It'd be like a child, only it'd be you, too.
At that point somebody nudged somebody else and the thought went around the table, silently, that we oughtn't to be talking about children… you know… with Hildy around. At least I think that's what happened, maybe I'm too sensitive. For whatever reason the conversation died, with only an unexpected apostrophe at the end, in the form of Brenda's little gumdrop looking around with i
Two years of my life. Probably the most eventful, but time will tell about that, too.
I am sitting in the parlor car of the Prairie Chief, destination Johnstown, Pe
All right, it's brontosaurus, if you want to get technical. It might even be from the Double-C Bar.
We'll soon be pulling into "Fort Worth," where we'll take on wood and water. I don't plan to get off, since I'm told it's just a dreary cowtown full of rowdy and possibly dangerous cowhands, quite unsuitable for a well-brought-up lady. (That's what I'm told; I happen to know, since I watched it being built, that it's just a big room with rails and a dirt street ru
Outside my window dusk is gathering. Not long ago we saw a herd of buffalo, and not long after that a group of wild red Indians, who reined their mounts and watched solemnly as the iron horse huffed by. From Central Casting, and on tape, but who cares? The parlor car is crowded with Texans and a few returning Pe
But not for bed. It would be a pointless exercise. The service I lately required of Darling Bobby/Crazy Bob was to render me asexual, like Brenda when I first met her. This was probably foolish and certainly extreme, but I found that I couldn't bear the thought of sex, and in fact loathed that opening that had brought Mario into the world for his short, perfect time. I had even less interest in being male again. So I jumped off the sexual choo-choo train and I'm not sorry I did it. I think I'll be ready to board again any day now, but it's been a relief not to be at the mercy of hormones, of either polarity. I may do it every twenty years or so, as sort of a sabbatical.
As darkness falls and the train rocks gently, I realize I'm happier than I've been in a long time.
Now we've spent some time together, and it's almost time to leave you. You've met Hildebrandt, Hildegarde, and Hildething: railroad tycoon, publisher, teacher, syndicated columnist, bereaved mother and tireless crusader for pronoun reform. There's really only one more thing worth knowing about him/her/it.
I'm going to the stars.
What I have is an invitation to make a reservation. I didn't mention this earlier, maybe it slipped my mind, but about a week after Mario died I sat down for a very long time with Walter's pistol, a bottle of good tequila, and one round. I drank, and I loaded and unloaded the gun, and drank some more and pointed it at things: a tree, the side of the cabin, my head. And I thought about what the CC had said about a virus, and what I had concluded about the veracity of that statement, and wondered if there was anything I could think of I really wanted to do? All those other things… sure, they bring me satisfaction, particularly the teaching, but they wouldn't serve any more as the answer to the question "What do you do, Hildy?"
I thought of something, thought about it some more, and hied myself out to the Heinlein, where I asked Smith if I could go along when he took off, worthless as my skills might be to his enterprise. And he said sure, Hildy, I meant to ask you if you were interested. We'll need somebody to handle the publicity, for one thing, to establish the right spin-control when it's time to leave, and most especially when we get back. We'll need advice on how to market our stories with maximum profit. Hell, most of us will probably need somebody to ghost-write them, as well. Scientists, test pilots, technical types, we all get tongue-tied when it comes to that part; just read the early accounts of the space pioneers. Go see Sinbad over in the publicity department, see if you can't get him straightened out. If you're any good, I expect to make you head of the department in a week. You couldn't be worse at it than Sinbad.
So this is in the nature of a farewell. All the people I've mentioned so far… not a one of them will go. They're just not the type. I love them to various degrees (yes, even you, Callie), but they are Luna-bound, to a man and woman. "Hansel," "Gretel," "Libby," (who recovered, by the way), "Valentine Michael Smith;" these will be my shipmates, whether we leave next year, in twenty years, or in fifty years. The rest of you are already left behind.