Xenocide

Ela, in her forties. No husband with her, but maybe she was married and he simply hadn't come. More likely not. Was she married to her work? She seemed to be so genuinely glad to see him, but even she couldn't hide the look of pity and concern. What, had she expected that a month of lightspeed travel would somehow heal him? Had she thought he would stride off the shuttle as strong and bold as a spacefaring god from some romance?

Quim, now in priestly robes. Jane had told Miro that his next-younger brother was a great missionary. He had converted more than a dozen forests of pequeninos, had baptized them, and, under authority from Bishop Peregrino, ordained priests from among them, to administer the sacraments to their own people. They baptized all the pequeninos that emerged from the mothertrees, all the mothers before they died, all the sterile wives who tended the little mothers and their younglings, all the brothers searching for a glorious death, and all the trees. However, only the wives and brothers could take communion, and as for marriage, it was difficult to think of a meaningful way to perform such a rite between a fathertree and the blind, mindless slugs who were mated with them. Yet Miro could see in Quim's eyes a kind of exaltation. It was the glow of power well used; alone of the Ribeira family, Quim had known all his life what he wanted to do. Now he was doing it. Never mind the theological difficulties– he was St. Paul to the piggies, and it filled him with constant joy. You served God, little brother, and God has made you his man.

Olhado, his silver eyes gleaming, his arm around a beautiful woman, surrounded by six children– the youngest a toddler, the oldest in her teens. Though the children all watched with natural eyes, they still had picked up their father's detached expression. They didn't watch, they simply gazed. With Olhado that had been natural; it disturbed Miro to think that perhaps Olhado had spawned a family of observers, walking recorders taking up experience to play it back later, but never quite involved. But no, that had to be a delusion. Miro had never been comfortable with Olhado, and so whatever resemblance Olhado's children had to their father was bound to make Miro just as uncomfortable with them, too. The mother was pretty enough. Probably not forty yet. How old had she been when Olhado married her? What kind of woman was she, to accept a man with artificial eyes? Did Olhado record their lovemaking, and play back images for her of how she looked in his eyes?

Miro was immediately ashamed of the thought. Is that all I can think of when I look at Olhado– his deformity? After all the years I knew him? Then how can I expect them to see anything but my deformities when they look at me?

Leaving here was a good idea. I'm glad Andrew Wiggin suggested it. The only part that makes no sense is coming back. Why am I here?

Almost against his will, Miro turned to face Valentine. She smiled at him, put her arm around him, hugged him. “It's not so bad,” she said.

Not so bad as what?

“I have only the one brother left to greet me,” she said. “All your family came to meet you.”

“Right,” said Miro.

Only then did Jane speak up, her voice taunting him in his ear. “Not all.”

Shut up, Miro said silently.

“Only one brother?” said Andrew Wiggin. “Only me?” The Speaker for the Dead stepped forward and embraced his sister. But did Miro see awkwardness there, too? Was it possible that Valentine and Andrew Wiggin were shy with each other? What a laugh. Valentine, bold as brass– she was Demosthenes, wasn't she? –and Wiggin, the man who had broken into their lives and remade their family without so much as a dd licenVa. Could they be timid? Could they feel strange?

“You've aged miserably,” said Andrew. “Thin as a rail. Doesn't Jakt provide a decent living for you?”

“Doesn't Novinha cook?” asked Valentine. “And you look stupider than ever. I got here just in time to witness your complete mental vegetation.”

“And here I thought you came to save the world.”

“The universe. But you first.”

She put her arm around Miro again, and around Andrew on the other side. She spoke to the others. “So many of you, but I feel like I know you all. I hope that soon you'll feel that way about me and my family.”

So gracious. So able to put people at ease. Even me, thought Miro. She simply handles people. The way Andrew Wiggin does. Did she learn it from him, or did he learn it from her? Or was it born into their family? After all, Peter was the supreme manipulator of all time, the original Hegemon. What a family. As strange as mine. Only theirs is strange because of genius, while mine is strange because of the pain we shared for so many years, because of the twisting of our souls. And I the strangest, the most damaged one of all. Andrew Wiggin came to heal the wounds between us, and did it well. But the i

“How about a picnic?” asked Miro.

This time they all laughed. How was that, Andrew, Valentine? Did I put them at their ease? Did I help things go smoothly? Have I helped everyone pretend that they're glad to see me, that they have some idea of who I am?

“She wanted to come,” said Jane in Miro's ear.

Shut up, said Miro again. I didn't want her to come anyway.

“But she'll see you later.”

No.

“She's married. She has four children.”

That's nothing to me now.

“She hasn't called out your name in her sleep for years.”

I thought you were my friend.

“I am. I can read your mind.”

You're a meddling old bitch and you can't read anything.

“She'll come to you tomorrow morning. At your mother's house.”

I won't be there.

“You think you can run away from this?”

During his conversation with Jane, Miro hadn't heard anything that the others around him were saying, but it didn't matter. Valentine's husband and children had come from the ship, and she was introducing them all around. Particularly to their uncle, of course. It surprised Miro to see the awe with which they spoke to him. But then, they knew who he really was. Ender the Xenocide, yes, but also the Speaker for the Dead, the one who wrote the Hive Queen and the Hegemon. Miro knew that now, of course, but when he had first met Wiggin it was with hostility– he was just an itinerant speaker for the dead, a minister of a humanist religion who seemed determined to turn Miro's family inside out. Which he had done. I think I was luckier than they are, thought Miro. I got to know him as a person before I ever knew him as a great figure in human history. They'll probably never know him as I do.

And I don't really know him at all. I don't know anybody, and nobody knows me. We spend our lives guessing at what's going on inside everybody else, and when we happen to get lucky and guess right, we think we “understand.” Such nonsense. Even a monkey at a computer will type a word now and then.

You don't know me, none of you, he said silently. Least of all the meddling old bitch who lives in my ear. You hear that?

“All that high-pitched whining– how can I miss it?”

Andrew was putting luggage onto the car. There'd be room for only a couple of passengers. “Miro– you want to ride with Novinha and me?”

Before he could answer, Valentine had taken his arm. "Oh, don't do that," said Valentine. "Walk with Jakt and me. We've all been cooped up on the ship for so long. "

“That's right,” said Andrew. “His mother hasn't seen him in twenty-five years, but you want him to take a stroll. You're the soul of thoughtfulness.”

Andrew and Valentine were keeping up the bantering tone they had established from the first, so that no matter which way Miro decided, they would laughingly turn it into a choice between the two Wiggins. At no point would he have to say, I need to ride because I'm a cripple. Nor would he have any excuse to take offense because somebody had singled him out for special treatment. It was so gracefully done that Miro wondered if Valentine and Andrew had discussed it in advance. Maybe they didn't have to discuss things like this. Maybe they had spent so many years together that they knew how to cooperate to smooth things for other people without even thinking about it. Like actors who have performed the same roles together so often that they can improvise without the slightest confusion.