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Poona couldn't hold him; he was taken in his infancy to the bitch-city, his first migration; his father got a job amongst the fleet-footed inspirers of future wheelchair quartets, the lunch-porters or dabbawallas of Bombay. And Ismail the farishta followed, at thirteen, in his father's footsteps.
Gibreel, captive aboard A1-420, sank into forgivable rhapsodies, fixing Chamcha with his glittering eye, explicating the mysteries of the ru
Bostan circled London, gunmen patrolling the gangways, and the lights in the passenger cabins had been switched off, but Gibreel's energy illuminated the gloom. On the grubby movie screen on which, earlier in the journey, the inflight inevitability of Walter Matthau had stumbled lugubriously into the aerial ubiquity of Goldie Hawn, there were shadows moving, projected by the nostalgia of the hostages, and the most sharply defined of them was this spindly adolescent, Ismail Najmuddin, mummy's angel in a Gandhi cap, ru
At night father and son would return exhausted to their shack by the airport runway at Santacruz and when Ismail's mother saw him approaching, illuminated by the green red yellow of the departing jet-planes, she would say that simply to lay eyes on him made all her dreams come true, which was the first indication that there was something peculiar about Gibreel, because from the begi
Naima Najmuddin died. A bus hit her and that was that, Gibreel wasn't around to answer her prayers for life. Neither father nor son ever spoke of grief. Silently, as though it were customary and expected, they buried their sadness beneath extra work, engaging in an inarticulate contest, who could carry the most dabbas on his head, who could acquire the most new contracts per month, who could run faster, as though the greater labour would indicate the greater love. When he saw his father at night, the knotted veins bulging in his neck and at his temples, Ismail Najmuddin would understand how much the older man had resented him, and how important it was for the father to defeat the son and regain, thereby, his usurped primacy in the affections of his dead wife. Once he realized this, the youth eased off, but his father's zeal remained unrelenting, and pretty soon he was getting promotion, no longer a mere ru
Babasaheb Mhatre sat in a blue office behind a green door above a labyrinthine bazaar, an awesome figure, buddha-fat, one of the great moving forces of the metropolis, possessing the occult gift of remaining absolutely still, never shifting from his room, and yet being everywhere important and meeting everyone who mattered in Bombay. The day after young Ismail's father ran across the border to see Naima, the Babasaheb summoned the young man into his presence. ‘So? Upset or what?’ The reply, with downcast eyes: ji, thank you, Babaji, I am okay. ‘Shut your face,’ said Babasaheb Mhatre. ‘From today you live with me.’ Butbut, Babaji... ‘But me no buts. Already I have informed my goodwife. I have spoken.’ Please excuse Babaji but how what why? ‘I have spoken.’
Gibreel Farishta was never told why the Babasaheb had decided to take pity on him and pluck him from the futurelessness of the streets, but after a while he began to have an idea. Mrs Mhatre was a thin woman, like a pencil beside the rubbery Babasaheb, but she was filled so full of mother-love that she should have been fat like a potato. When the Baba came home she put sweets into his mouth with her own hands, and at nights the newcomer to the household could hear the great General Secretary of the BTCA protesting, Let me go, wife, I can undress myself. At breakfast she spoon-fed Mhatre with large helpings of malt, and before he went to work she brushed his hair. They were a childless couple, and young Najmuddin understood that the Babasaheb wanted him to share the load. Oddly enough, however, the Begum did not treat the young man as a child. ‘You see, he is a grown fellow,’ she told her husband when poor Mhatre pleaded, ‘Give the boy the blasted spoon of malt.’ Yes, a grown fellow, ‘we must make a man of him, husband, no babying for him.’
‘Then damn it to hell,’ the Babasaheb exploded, ‘why do you do it to me?’ Mrs. Mhatre burst into tears. ‘But you are everything to me,’ she wept, ‘you are my father, my lover, my baby too. You are my lord and my suckling child. If I displease you then I have no life.’
Babasaheb Mhatre, accepting defeat, swallowed the tablespoon of malt.
He was a kindly man, which he disguised with insults and noise. To console the orphaned youth he would speak to him, in the blue office, about the philosophy of rebirth, convincing him that his parents were already being scheduled for re-entry somewhere, unless of course their lives had been so holy that they had attained the final grace. So it was Mhatre who started Farishta off on the whole reincarnation business, and not just reincarnation. The Babasaheb was an amateur psychic, a tapper of table-legs and a bringer of spirits into glasses. ‘But I gave that up,’ he told his protege, with many suitably melodramatic inflections, gestures, frowns, ‘after I got the fright of my bloody life.’
Once (Mhatre recounted) the glass had been visited by the most co-operative of spirits, such a too-friendly fellow, see, so I thought to ask him some big questions. Is there a God, and that glass which had been ru