The Satanic Verses

Chamcha's room struck the sleepless intruder as contrived, and therefore sad: the caricature of an actor's room full of signed photographs of colleagues, handbills, framed programmes, production stills, citations, awards, volumes of movie-star memoirs, a room bought off the peg, by the yard, an imitation of life, a mask's mask. Novelty items on every surface: ashtrays in the shape of pianos, china pierrots peeping out from behind a shelf of books. And everywhere, on the walls, in the movie posters, in the glow of the lamp borne by bronze Eros, in the mirror shaped like a heart, oozing up through the blood-red carpet, dripping from the ceiling, Saladin's need for love. In the theatre everybody gets kissed and everybody is darling. The actor's life offers, on a daily basis, the simulacrum of love; a mask can be satisfied, or at least consoled, by the echo of what it seeks. The desperation there was in him, Jumpy recognized, he'd do anything, put on any damnfool costume, change into any shape, if it earned him a loving word. Saladin, who wasn't by any means unsuccessful with women, see above. The poor stumblebum. Even Pamela, with all her beauty and brightness, hadn't been enough.

It was clear he'd been getting to be a long way from enough for her. Somewhere around the bottom of the second whisky bottle she leaned her head on his shoulder and said boozily, ‘You can't imagine the relief of being with someone with whom I don't have to have a fight every time I express an opinion. Someone on the side of the goddamn angels.’ He waited; after a pause, there was more. ‘Him and his Royal Family, you wouldn't believe. Cricket, the Houses of Parliament, the Queen. The place never stopped being a picture postcard to him. You couldn't get him to look at what was really real.’ She closed her eyes and allowed her hand, by accident, to rest on his. ‘He was a real Saladin,’ Jumpy said. ‘A man with a holy land to conquer, his England, the one he believed in. You were part of it, too.’ She rolled away from him and stretched out on top of magazines, crumpled balls of waste paper, mess. ‘Part of it? I was bloody Brita

‘You should have heard him on the Falklands war,’ she said later, disengaging herself and fiddling with her hair. ‘“Pamela, suppose you heard a noise downstairs in the middle of the night and went to investigate and found a huge man in the living-room with a shotgun, and he said, Go back upstairs, what would you do?” I'd go upstairs, I said. “Well, it's like that. Intruders in the home. It won't do.”’ Jumpy noticed her fists had clenched and her knuckles were bone-white. ‘I said, if you must use these blasted cosy metaphors, then get them right. What it's like is if two people claim they own a house, and one of them is squatting the place, and then the other turns up with the shotgun. That's what it's like.’

‘That's what's really real,’ Jumpy nodded, seriously. ‘Right,’ she slapped his knee. ‘That's really right, Mr. Real Jam... it's really truly like that. Actually. Another drink.’

She leaned over to the tape deck and pushed a button. Jesus, Jumpy thought, Boney M? Give me a break. For all her tough, race-professional attitudes, the lady still had a lot to learn about music. Here it came, boomchickaboom. Then, without warning, he was crying, provoked into real tears by counterfeit emotion, by a disco-beat imitation of pain. It was the one hundred and thirty-seventh psalm, ‘Super flumina’. King David calling out across the centuries. How shall we sing the Lord's song in a strange land.

‘I had to learn the psalms at school,’ Pamela Chamcha said, sitting on the floor, her head leaning against the sofa-bed, her eyes shut tight. By the river of Babylon, where we sat down, oh oh we wept... she stopped the tape, leaned back again, began to recite. ‘If I forget thee, O Jerusalem, let my right hand forget its cu

Later, asleep in bed, she dreamed of her convent school, of matins and evensong, of the chanting of psalms, when Jumpy rushed in and shook her awake, shouting, ‘It's no good, I've got to tell you. He isn't dead. Saladin: he's bloody well alive.’

She came wide awake at once, plunging her hands into her thick, curly, he

Her dog entered the bedroom, looking worried, and padded over to offer her his paw, and to lick at her left leg. Jumpy stirred, cautiously. ‘I thought he got stolen,’ he said eventually. Pamela jerked her head for yes, but. The thieves got in touch. I paid the ransom. He now answers to the name of Gle

After a while, Jumpy found that he wanted to talk. ‘What you did, just now,’ he began.

‘Oh, God.’

‘No. It's like a thing I once did. Maybe the most sensible thing I ever did.’ In the summer of 1967, he had bullied the ‘apolitical’ twenty-year-old Saladin along on an anti-war demonstration. ‘Once in your life, Mister Snoot, I'm going to drag you down to my level.’ Harold Wilson was coming to town, and because of the Labour Government's support of US involvement in Vietnam, a mass protest had been pla

That day it rained an ocean. The demonstrators in Market Square were soaked through. Jumpy and Chamcha, swept along by the crowd, found themselves pushed up against the steps of the town hall; grandstand view, Chamcha said with heavy irony. Next to them stood two students disguised as Russian assassins, in black fedoras, greatcoats and dark glasses, carrying shoeboxes filled with ink-dipped tomatoes and labelled in large block letters, bombs. Shortly before the Prime Minister's arrival, one of them tapped a policeman on the shoulder and said: ‘Excuse, please. When Mr. Wilson, self-styled Prime Meenster, conies in long car, kindly request to wind down weendow so my friend can throw with him the bombs.’ The policeman answered, ‘Ho, ho, sir. Very good. Now I'll tell you what. You can throw eggs at him, sir, ‘cause that's all right with me. And you can throw tomatoes at him, sir, like what you've got there in that box, painted black, labelled bombs, ‘cause that's all right with me. You throw anything hard at him, sir, and my mate here’ll get you with his gun.’ O days of i

‘Saladin started yelling at me to get off, partly because the crowd was full of Special Branch types converging on the limo, but mainly because he was so damn embarrassed.’ But he kept leaping, up higher and down harder, drenched to the bone, long hair flying: Jumpy the jumper, leaping into the mythology of those antique years. And Wilson and Marcia cowered in the back seat. Ho! Ho! Ho Chi Minh! At the last possible moment Jumpy took a deep breath, and dived head-first into a sea of wet and friendly faces; and vanished. They never caught him: fuzz pigs filth. ‘Saladin wouldn't speak to me for over a week,’ Jumpy remembered. ‘And when he did, all he said was, “I hope you realize those cops could have shot you to pieces, but they didn't.”’