The Satanic Verses

He stands in front of the statues of the Three and a

‘Shall He have daughters and you sons?’ Mahound recites. ‘That would be a fine division!

‘These are but names you have dreamed of, you and your fathers. Allah vests no authority in them.’

He leaves the dumbfounded House before it occurs to anybody to pick up, or throw, the first stone.

After the repudiation of the Satanic verses, the Prophet Mahound returns home to find a kind of punishment awaiting him. A kind of vengeance – whose? Light or dark? Goodguy badguy? – wrought, as is not unusual, upon the i

Mahound in the grip of his misery keeps himself to himself, hardly says a word for weeks. The Grandee of Jahilia institutes a policy of persecution that advances too slowly for Hind. The name of the new religion is Submission; now Abu Simbel decrees that its adherents must submit to being sequestered in the most wretched, hovel-filled quarter of the city; to a curfew; to a ban on employment. And there are many physical assaults, women spat upon in shops, the manhandling of the faithful by the gangs of young turks whom the Grandee secretly controls, fire thrown at night through a window to land amongst unwary sleepers. And, by one of the familiar paradoxes of history, the numbers of the faithful multiply, like a crop that miraculously flourishes as conditions of soil and climate grow worse and worse.

An offer is received, from the citizens of the oasis-settlement of Yathrib to the north: Yathrib will shelter those-who-submit, if they wish to leave Jahilia. Hamza is of the opinion that they must go. ‘You'll never finish your Message here, nephew, take my word. Hind won't be happy till she's ripped out your tongue, to say nothing of my balls, excuse me.’ Mahound, alone and full of echoes in the house of his bereavement, gives his consent, and the faithful depart to make their plans. Khalid the water-carrier hangs back and the hollow-eyed Prophet waits for him to speak. Awkwardly, he says: ‘Messenger, I doubted you. But you were wiser than we knew. First we said, Mahound will never compromise, and you compromised. Then we said, Mahound has betrayed us, but you were bringing us a deeper truth. You brought us the Devil himself, so that we could witness the workings of the Evil One, and his overthrow by the Right. You have enriched our faith. I am sorry for what I thought.’

Mahound moves away from the sunlight falling through the window. ‘Yes.’ Bitterness, cynicism. ‘It was a wonderful thing I did. Deeper truth. Bringing you the Devil. Yes, that sounds like me.’

From the peak of Mount Cone, Gibreel watches the faithful escaping Jahilia, leaving the city of aridity for the place of cool palms and water, water, water. In small groups, almost empty-handed, they move across the empire of the sun, on this first day of the first year at the new begi

Mahound has reached his oasis; Gibreel is not so lucky. Often, now, he finds himself alone on the summit of Mount Cone, washed by the cold, falling stars, and then they fall upon him from the night sky, the three winged creatures, Lat Uzza Manat, flapping around his head, clawing at his eyes, biting, whipping him with their hair, their wings. He puts up his hands to protect himself, but their revenge is tireless, continuing whenever he rests, whenever he drops his guard. He struggles against them, but they are faster, nimbler, winged.

He has no devil to repudiate. Dreaming, he ca

III. Ellowen Deeowen

1

I know what a ghost is, the old woman affirmed silently. Her name was Rosa Diamond; she was eighty-eight years old; and she was squinting beakily through her salt-caked bedroom windows, watching the full moon's sea. And I know what it isn't, too, she nodded further, it isn't a scarification or a flapping sheet, so pooh and pish to all that bunkum. What's a ghost? Unfinished business, is what. – At which the old lady, six feet tall, straight-backed, her hair hacked short as any man's, jerked the corners of her mouth downwards in a satisfied, tragedy-mask pout, – pulled a knitted blue shawl tight around bony shoulders, – and closed, for a moment, her sleepless eyes, to pray for the past's return. Come on, you Norman ships, she begged: let's have you, Willie-the-Conk.

Nine hundred years ago all this was under water, this portioned shore, this private beach, its shingle rising steeply towards the little row of flaky-paint villas with their peeling boathouses crammed full of deckchairs, empty picture frames, ancient tuckboxes stuffed with bundles of letters tied up in ribbons, mothballed silk-and-lace lingerie, the tearstained reading matter of once-young girls, lacrosse sticks, stamp albums, and all the buried treasure-chests of memories and lost time. The coastline had changed, had moved a mile or more out to sea, leaving the first Norman castle stranded far from water, lapped now by marshy land that afflicted with all ma

Best place to see ‘em come, she reassured herself, grandstand view. Repetition had become a comfort in her antiquity; the well-worn phrases, unfinished business, grandstand view, made her feel solid, unchanging, sempiternal, instead of the creature of cracks and absences she knew herself to be. – When the full moon sets, the dark before the dawn, that's their moment. Billow of sail, flash of oars, and the Conqueror himself at the flagship's prow, sailing up the beach between the barnacled wooden breakwaters and a few inverted sculls. – O, I've seen things in my time, always had the gift, the phantom-sight. – The Conqueror in his pointy metal-nosed hat, passing through her front door, gliding betwixt the cakestands and antimacassared sofas, like an echo resounding faintly through that house of remembrances and yearnings; then falling silent; as the grave.

– Once as a girl on Battle Hill, she was fond of recounting, always in the same time-polished words, – once as a solitary child, I found myself, quite suddenly and with no sense of strangeness, in the middle of a war. Longbows, maces, pikes. The flaxen-Saxon boys, cut down in their sweet youth. Harold Arroweye and William with his mouth full of sand. Yes, always the gift, the phantom-sight. – The story of the day on which the child Rosa had seen a vision of the battle of Hastings had become, for the old woman, one of the defining landmarks of her being, though it had been told so often that nobody, not even the teller, could confidently swear that it was true. I long for them sometimes, ran Rosa's practised thoughts. Les beaux jours: the dear, dead days. She closed, once more, her reminiscent eyes. When she opened them, she saw, down by the water's edge, no denying it, something begi