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Linkeree turned around and looked back. The lights of the government compound winked behind him. The sun had set, and dusk was only dimly lighting the plain.
The sound came again. He still couldn't identify it, but now the direction was more distinct-- he followed.
Not two meters off was a feebly crying infant, the mucus of birth still clinging to his body, the afterbirth unceremoniously dumped beside him. The placenta was covered with suckers. So was the baby.
Linkeree knelt, brushed away the suckers, looked at the child, whose stubby arms and legs proclaimed him to be a Vaq. Yet apart from that, Link could see no other sign that this was not a human infant-- the dark skin must come after years of exposure to the hot noon sunshine. He remembered clearly that one of the long line of tutors he had studied with had told him about this Vaq custom. It was assumed to be the exact counterpart of the ancient Greek custom of exposing unwanted infants, to keep the population at acceptable levels. The baby cried. And Linkeree was struck bitterly with the unfairness that it was this infant that was chosen to die for the good of the-- tribe? Did Vaqs travel in tribes? If seven percent of infants had to die for the good of the tribe, why couldn't there be a way for seven-hundredths of each child to be done away? Impossible, of course. Linkeree stroked the child's feeble arms. It was much more efficient to rid the world of unwelcome children.
He picked up the infant, gingerly (he had never done so before, only seen them in the incubators in the hospital his father had built and which, therefore, Linkeree was "responsible" for), and held it against his bare chest, wondering at the warmth it still had. For a moment at least the crying stopped, and Link periodically struck off the suckers that leaped from the placenta to the baby's or his bare skin. We are kin, he told the child silently, we are kin, the unwanted children. "If only you'd never been born," he heard his mother saying; this time a saying she had said only once, but the memory was sharp and clear, the moment forever imprinted on his mind. It was no act. It was no sham, like her hugs and kisses and I'm-so-proud-of-yous. It was a moment, all too rare, of utter sincerity: "If only you'd never been born, I wouldn't be getting old like this on this hideous planet!"
Why, then, mother, didn't you leave me on the plain to die? Much kinder, much, much kinder than to have kept me at home, killing me seven percent at a time.
The baby cried again, hunting for, a breast that by now was surely many kilometers off, leaking pap for the child that would never suckle. Did the mother grieve, perhaps? Or was she only irritated at the sensitivity of her breasts, only anxious for the last remnants of the pregnancy to fade?
Squatting there, holding the infant, Linkeree wondered what he should do. Could he bring the child back into the compound? Unquestionably yes, but at a cost. First, Linkeree would then be caught, would then be reconfined to the hospital where the fact that he was not, was not insane would soon be discovered and they would cleanly and kindly push the needle into his buttocks and put him irrevocably to sleep. And then there was the child. What would they do with a Vaq child in the capital? In an orphanage it would be tortured by the other children who, in their poverty and usual bastardy would welcome the nonhuman as something lower that they could torment and so prove their power. In the schools, the child would be treated as an intellectual pariah, incapable of learning. It would be shunted from institution to institution-- until someday on the street the torment became too much and he strangled somebody and then died for it.
Linkeree lay the baby back down. If your own don't want you, the stranger doesn't want you, either, he said silently. The baby cried desperately. Die, child, Linkeree thought, and be spared. "There's not one damn thing I can do," he said aloud.
"What do you mean, when you can paint like that?" Zad answered. But Link saw more clearly than she. He had meant to paint Zad, but had instead painted his mother. Now he saw what for seven months what he had been blind to-- Zad's resemblance to his mother. That's why he had followed her through the streets that first night, had kept watching her, until finally she had asked him what the hell--
"What the hell?" Zad asked, but Link didn't answer, only wrinkled up the painting clumsily (You're all thumbs, Linky!), pressed the wad against his crotch, and struck the paper and thus himself viciously once. Cried out in agony. Struck himself again.
"Hey! Hey, stop that! Don't--"
And then he saw, felt, smelled, heard his mother lean over him, her hair brushing his face (sweet-smelling hair), and Link was filled with the old helpless fury, a helplessness made worse by clear memories of love-making hour after hour with this woman in an apartment filled with paintings in a government flat in the low part of the city. Now. I'm grown up, he thought, now I'm stronger than her, and still she controls me, still she attacks me, still she expects so damn much and I never know what I should do! And so he stopped striking himself and found a better target.
The baby was still crying. Link was disoriented for a moment, wondering why he was trembling. Then another gust of wind reminded him that tonight was the night he would die in feeble expiation for his sins, he like the baby sucked dry by tiny bites, gnawed to death by the chewers that padded through the night, frozen to death by the wind. The difference would be, of course, that the infant would not understand, would never have understood. Better to die unknowing. Better to have no memories. Better to have no pain.
And Link reached down and put his thumb and forefinger around the baby's throat, to kill it now and spare it the brief agony of death later in the night. But when it was time to squeeze tightly and shut off blood and breath, Link discovered that he could not.
"I am not a killer," Link said. "I can't help you."
And he got up and walked away, leaving behind the child's mewling to be buried in the noise of the wind pushing through the grass. The blades rasped against his naked chest, and he remembered his mother scrubbing him in the bath. "See? Only I can reach your back. You need me, just to stay clean."
I need you.
"That's mother's good boy."
Yes. I am, I am.
"Don't touch me! I won't have any man touch me!"
But you said--
"I'm through with men. You're a bastard and a son of a bastard and you've made me old!"
But Mother--
"No, no, what am I doing? It isn't your fault that men are like that. You're different, you, my sweet little boy, give Mother a hug-- not so tight, for God's sake, you little devil, what are you trying to do? Go to your room!"
He stumbled in the near darkness and fell, cutting his wrist in the grass.
"Why are you hitting me?" he heard the brownhaired woman who ought to be blond crying out. But he hit her again, and she fled the apartment, ran down the stairs, stumbled out into the street. It was the stumbling that let him catch her, and there in the middle of the road he stifled her scream by showing her precisely what a man was like, by throwing her at long, long last away.
A knife pricked into his chest.
He looked up from where he lay in the grass at a short, stocky man-- no, not a man, a Vaq-- and not just one, a half dozen, all armed, though some were just rising from the ground-- and still seemed half asleep. He had stumbled in his daze into a Vaq camping place.
This is better, he thought, than the suckers and chewers, and so with a pillar of blackness and chill in place of his spine, he weakly stood, waiting for the knife.
But the knife pressed no deeper toward his heart, and he grew impatient. Wasn't he the heir of the man who had done most to hurt the Vaqs, whose great tractors had swept away the livelihood of a dozen tribes, whose hunters had killed Vaqs who chanced to wander on land marked out as his? I am the owner of half this world that is worth owning; kill me and free yourselves.