Dune

Whispering their reluctance, the troop fell in behind him, turned back along the water barrier and up the stairs.

And Paul, walking behind Chani, felt that a vital moment had passed him, that he had missed an essential decision and was now caught up in his own myth. He knew he had seen this place before, experienced it in a fragment of prescient dream on faraway Caladan, but details of the place were being filled in now that he had not seen. He felt a new sense of wonder at the limits of his gift. It was as though he rode within the wave of time, sometimes in its trough, sometimes on a crest—and all around him the other waves lifted and fell, revealing and then hiding what they bore on their surface.

Through it all, the wild jihad still loomed ahead of him, the violence and the slaughter. It was like a promontory above the surf.

The troop filed through the last door into the main cavern. The door was sealed. Lights were extinguished, hoods removed from the cavern openings, revealing the night and the stars that had come over the desert.

Jessica moved to the dry lip of the cavern's edge, looked up at the stars. They were sharp and near. She felt the stirring of the troop around her, heard the sound of a baliset being tuned somewhere behind her, and Paul's voice humming the pitch. There was a melancholy in his tone that she did not like.

Chani's voice intruded from the deep cave darkness: "Tell me about the waters of your birthworld, Paul Muad'Dib."

And Paul: "Another time, Chani. I promise."

Such sadness .

"It's a good baliset," Chani said.

"Very good," Paul said. "Do you think Jamis'll mind my using it?"

He speaks of the dead in the present tense , Jessica thought. The implications disturbed her.

A man's voice intruded: "He liked music betimes, Jamis did."

"Then sing me one of your songs," Chani pleaded.

Such feminine allure in that girl-child's voice , Jessica thought. I must caution Paul about their women... and soon .

"This was a song of a friend of mine," Paul said. "I expect he's dead now, Gurney is. He called it his evensong."

The troop grew still, listening as Paul's voice lifted in a sweet boy tenor with the baliset tinkling and strumming beneath it:

Jessica felt the verbal music in her breast—pagan and charged with sounds that made her suddenly and intensely aware of herself, feeling her own body and its needs. She listened with a tense stillness.

And Jessica heard the after-stillness that hummed in the air with the last note. Why does my son sing a love song to that girl-child? she asked herself. She felt an abrupt fear. She could sense life flowing around her and she had no grasp on its reins. Why did he choose that song? she wondered. The instincts are true sometimes. Why did he do this?

Paul sat silently in the darkness, a single stark thought dominating his awareness: My mother is my enemy. She does not know it, but she is. She is bringing the jihad. She bore me; she trained me. She is my enemy .

***

The concept of progress acts as a protective mechanism to shield us from the terrors of the future.

On his seventeenth birthday, Feyd-Rautha Harko

In honor of the na-Baron's nativity and to remind all Harko

But off the main way, Count Fenring and his lady noted the rubbish heaps, the scabrous brown walls reflected in the dark puddles of the streets, and the furtive scurrying of the people.

In the Baron's blue-walled keep, there was fearful perfection, but the Count and his lady saw the price being paid—guards everywhere and weapons with that special sheen that told a trained eye they were in regular use. There were checkpoints for routine passage from area to area even within the keep. The servants revealed their military training in the way they walked, in the set of their shoulders... in the way their eyes watched and watched and watched.

"The pressure's on," the Count hummed to his lady in their secret language. "The Baron is just begi

"Sometime I must recount for you the legend of the phoenix," she said.

They were in the reception hall of the keep waiting to go to the family games. It was not a large hall—perhaps forty meters long and half that in width—but false pillars along the sides had been shaped with an abrupt taper, and the ceiling had a subtle arch, all giving the illusion of much greater space.

"Ah-h-h, here comes the Baron," the Count said.

The Baron moved down the length of the hall with that peculiar waddling-glide imparted by the necessities of guiding suspensor-hung weight. His jowls bobbed up and down; the suspensors jiggled and shifted beneath his orange robe. Rings glittered on his hands and opafires shone where they had been woven into the robe.

At the Baron's elbow walked Feyd-Rautha. His dark hair was dressed in close ringlets that seemed incongruously gay above sullen eyes. He wore a tight-fitting black tunic and snug trousers with a suggestion of bell at the bottom. Soft-soled slippers covered his small feet.

Lady Fenring, noting the young man's poise and the sure flow of muscles beneath the tunic thought: Here's one who won't let himself go to fat .

The Baron stopped in front of them, took Feyd-Rautha's arm in a possessive grip, said, "My nephew, the na-Baron, Feyd-Rautha Harko

Feyd-Rautha dipped his head with the required courtesy. He stared at the Lady Fenring. She was golden-haired and willowy, her perfection of figure clothed in a flowing gown of ecru—simple fitness of form without ornament. Gray-green eyes stared back at him. She had that Bene Gesserit serene repose about her that the young man found subtly disturbing.

"Um-m-m-m-ah-hm-m-m-m," said the Count. He studied Feyd-Rautha. "The, hm-m-m-m, precise young man, ah, my... hm-m-m-m... dear?" The Count glanced at the Baron. "My dear Baron, you say you've spoken of us to this precise young man? What did you say?"

"I told my nephew of the great esteem our Emperor holds for you. Count Fenring," the Baron said. And he thought: Mark him well, Feyd! A killer with the ma