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Richard knew precisely what we wanted to accomplish. He knew what needed to be done, and how to do it. He was filled with a clarity of purpose, a course to follow. Now that it had begun, he was lost in the work.
Dust billowed up around him until his dark clothes were white, as if the stone were absorbing him, as he was transforming with it, until they were one. Sharp shards nicked him as they shot away. His bare arms, white as the marble itself, were soon streaked here and there with blood from the battle.
From time to time, he opened the doors to shovel out the ankle-deep scree. The white scrap avalanched down the hill, tinkling with a sound like a thousand tiny bells. The white dust covering him was cut through with dark rivulets of sweat, and red scratches. The cool air felt refreshing against his sweat-soaked skin. But then he once again shut out the night, shut out the world to be alone.
For the first time in nearly a year, Richard felt free. In this, he was in complete control. No one watched him. No one told him what he must do.
This work was his singular purpose, in which he strove for perfection.
There were no chains, no limitations, no desires of others to which he must bow. In this struggle to accomplish his best, he was utterly free.
What he intended would stand in unyielding opposition to everything the Order represented. He intended to show them life.
Richard knew that when the Brothers saw the statue, they would sentence him to death.
Stone chips burst forth with each blow, taking him closer to his goal.
He had to stand on a work stool to reach the top of the marble, moving it around the monolith to work all sides, narrowing it down to what would be.
Richard swung the steel club with the fury of battle. His chisel hand stung with the ringing blows. As violent as the attack was, though, it was controlled. A trimming hammer, called a pitcher, could be used for such rough work. It removed waste with greater speed than a heavy point to shape the block, but it was used with a full swing, and Richard feared, because of the flaw, to unleash that much power against the stone. In the begi
Richard would have Victor make him a set of drill bits for a bow drill.
With a bow's cord run around the shaft of the drill, it could be twisted and driven through the marble. Richard had thought long and hard about the problem of the flaw. He had resolved to cut out most of it. First, to stop any further cracks from ru
There would be two figures: a man, and a woman. When finished, the space between them would be where Richard had removed the worst of the flaw.
With the weakest stone removed, the sound stone that remained would be strong enough to take the stress of the work. Since the defect started at the base, he couldn't eliminate it all, but he could reduce the problem it presented to a manageable level. That was the secret to this piece of stone: eliminating its weakness, then working in its strength.
Richard considered it a fortunate flaw, first of all because it had reduced the value of the stone, enabling Victor to purchase it in the first place. To Richard's mind, though, the flaw had been valuable because it had caused him to think about the stone, and how to carve it. That thought had brought him to his design. Without the flaw, he might not have come to the same design.
As he worked, he was filled with the energy of the fight, driven onward by the heat of the attack. Stone stood between him and what he wanted to carve, and he craved to eliminate that excess so he could get to the essence of the figures. A huge corner of waste broke loose, slipping away, slowly at first, then crashing down. Chips and shards rained down as he worked, burying the fallen foe.
Several more times he had to open the doors and shovel out the scrap.
It was invigorating to see what was once an irregular shaped block, becoming a rough shape. The figures were still completely encased, their arms far from being free, their legs not separate, yet, but they were begi
Richard was surprised to see light streaming through the window overhead. He had worked the entire night without realizing it.
He stood back and appraised the statue that was now more or less roughly a cone shape. Now, there were only lumps where the arms would extend out from the bodies. He wanted the arms to be free, the bodies to convey grace and movement. Life. What he carved for the Order was never free, always tightly bound to the stone, forever stiff, unable to move, like cadavers.
Half of what had been there the night before was now gone. Richard ached to stay and work on, but he knew he couldn't. From the corner, he excavated the canvas tarp Victor had left for him, and flung it over the statue.
When he threw open the door, the white dust billowed out. Victor was sitting among the rubble of his stone monolith.
The blacksmith blinked. "Richard, you have been here the whole night!"
"I guess I have."
He gestured as a grin split his face. "You look like a good spirit. How goes the battle with the stone?"
Richard could think of nothing to say. He could only beam with the joy of it.
Victor laughed his belly laugh. "Your face says it all. You must be tired and hungry. Come, sit and rest-have some lardo."
Nicci heard Kamil and Nabbi shout a greeting as Richard came down the street, and then their footsteps as they ran down the front stairs. She glanced out the front window and, in the failing light of dusk, saw them meet up with Richard as he came down the street. She, too, was happy to see him coming home this early.
Nicci had seen precious little of Richard in the weeks since he took on the duty of carving the statue for Brother Narev. She couldn't imagine how Richard could endure carving a statue she knew had to be agony for him-not so much because of its size, but because of its nature.
If anything, though, Richard seemed invigorated. Often, after working all day carving the moral lessons for the facade of the palace, he would then work late into the night on the grand statue for the entrance plaza. As tired as he had to be when he came home, he would sometimes pace. There were nights when he would only sleep for a couple of hours, rise, and go to work on the statue for hours before his workday at the site began. Several times he had worked the entire night.
Richard seemed driven. Nicci didn't know how he could do it. He sometimes came home to eat and to take a nap for an hour, and then he would go back. She would urge him to stay and sleep, but he would say that the penance had to be paid or they would put him back in prison. Nicci feared that possibility, so she didn't insist that he stay home to sleep. Losing sleep was preferable to him losing his life.
He had always been muscular and strong, but his muscles had become even more lean and defined since he came to the Old World. All that labor of loading iron and now moving rock and swinging a hammer had built him up even more. When he went out back to the washtubs and removed his shirt to rinse off the stone dust, the sight of him made her knees weak.
Nicci heard footsteps passing down the hallway, and the excited voices of Kamil and Nabbi asking questions. She couldn't understand Richard's words, but she easily recognized the timbre of his voice calmly giving the two the answers to their questions.