The Confusion

Down below, the narrow end of the giant mast had plowed into the beach. One pair of boats was being abandoned by drenched rowers. The other group was thrashing the water, trying to wheel the trunk around so it could be rolled up onto dry land. At a glance it seemed not to be moving at all. But move it did, as slowly as the minute-hand of a clock—as steadily as that mysterious Wheel that Gabriel Goto was always speaking of.

"You want to return to this homeland that you have never seen," Jack said. "It could hardly be more obvious."

Gabriel Goto closed his eyes and turned towards the Laccadive Sea. The onshore breeze blew his long hair back from his face and made his kimono billow like a colorful sail. "When I was a boy standing at my father's knee and watching him paint his pictures of the Passage to Niigata, he told me, over and over again, that Nippon was now a forbidden land to us, and that the places he was drawing were places I would never see. And that is just what I believed for most of my life. But let me tell you that when I stood in Saint Peter's, in Rome, waiting to kiss the Pope's ring, I looked up at the ceiling of that place, which was magnificently adorned by a painter named Michelangelo. Not in Latin, English, or Nipponese are there words to express its magnificence. And that is the very reason for its being there, for sometimes pictures say more than words. There is a place in that painting where the Heavenly Father reaches out with one finger toward Adam, whose hand is outstretched as I am doing here, and between the fingertips of the Father and the Son there is a gap. And something has leapt across that gap, something invisible, something that not even Michelangelo could portray, but anyway it has crossed from the Father into the Son, and the Son has been awakened by it, and been infused with awareness and purpose. At the moment that I stood there in Saint Peter's and saw all of these things, understanding suddenly came into my mind, bridging the gap of miles and years that separated me from my father, and I became aware for the first time. I understood that even though with his words he had forbidden me to return to Nippon, in his pictures he had told me that one day I must return—and in those same pictures he had given me the means."

"You believe that the Hundred and Seven Views of the Passage to Niigata are a sort of nautical chart, telling you how to return?"

"They are better than a chart," said Father Gabriel Goto of the Society of Jesus. "They are a living memory."

HALF THE TOWN WAS PULLED away from their mock-battle to heave the mast up onto the beach, and eventually three elephants were brought into play. Through the Queen's spyglass, which had evidently been pilfered from some Portuguese sea-captain's personal effects, Jack could see his sons—now half-naked, and covered with bruises—striving alongside Nayar youths to land this prize. Eventually it was paraded through the town, garlanded with flowers, bristling with incense-sticks, and then it was made the centerpiece of more merry-making, which continued into the night. In earlier years Jack would have been at the center of this, but as it was, he delegated the revelry to Jimmy and Da

Everyone in the town slept late the next morning, save a few sentries and low-caste laborers. Jack reckoned it would be a simple matter to find his sons passed out under a palm-tree somewhere. But he could not find them. The tide was about to go out, and men on ships were calling his name. Jack returned to the top of the cliff, intending to wake up Monsieur Arlanc and ask him to search for Jimmy and Da

Two of Queen Kottakkal's ships sailed on that tide, and turned opposite ways when they cleared the harbor. The one on which Jack was a passenger pla

THREE MONTHS LATER JACK WAS a King no longer: merely a Vagabond sailor infringing on the hospitality of the Malabar pirate-queen. He and van Hoek, Jan Vroom, Surendranath, Padraig Tallow, and various Dutchmen sailed into Queen Kottakkal's harbor aboard something that was close to being a ship. Her hull was painted and ballasted, her decks were in place, and a temporary foremast had been jury-rigged, giving her the ability to crawl through the water before a following wind. Her gunports were caulked shut. She was unarmed and helpless, but four of the Queen's pirate-ships had escorted, and occasionally towed, her around Cape Comorin. She had not been christened yet—it had been decided to save that ceremony for when the masts were stepped, the guns installed, and all members of the Cabal on hand.

The ca

For his part van Hoek, once he had sloshed ashore, stomped past the ca

Then the Dutchman stopped for a while to gaze at the butt of the mainmast. Nowhere was it more obvious than from this standpoint that what they were really looking at, here, was a stupendous tree-trunk, most likely from a virgin forest in America. In other places its nature was somewhat concealed by the carpenters' work, and by bands of iron that had been hammered out in some enormous forge somewhere and, while still red-hot, slipped onto it like rings onto a finger so that as they cooled and shrank they would cut into the wood and become one with it. But here at the foot of the mainmast—which was almost as thick as van Hoek was tall—the tree's growth rings, and the boundary between heartwood and sapwood, were obvious even through diverse layers of tar, caulk, and paint. Van Hoek had gazed upon it twice as he circled round the mast, and seen nothing untoward, But on this third circuit he came in closer and began to hammer at the wood with the pistol-butt. Jack heard a solid thunk, thunk and then a sharp whack; a moment's silence; and then a cry from the Dutchman.