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The camera turned to the parking lot, where people were ru

[309] “So that’s the news from here, Lou and Evelyn. Oh, one more thing. Before Mrs. Garcia shooed us away fifteen minutes ago, I was able to buy this from her. Apparently it is a model of Red Thunder.” She held up something and the camera zoomed in on it. It was a small plastic image of Red Thunder in a clear plastic snow globe. Evans shook it and the plastic snow swirled. I looked at Kelly, who was gri

“Might as well make as much as we can off of this,” she said, unabashed.

“Nineteen dollars and ninety-five cents,” Evans said. “I’ve got a feeling these are going to be collector’s items, one way or another.”

The scene cut back to the CNN center. Lou was laughing.

“Pick one up for me, will you, La Shanda?”

Dak hit the mute button.

“Ready to do the press conference, folks?” he asked.

Nobody was real eager, but we had to make ourselves famous, right? Though, from what we just saw, we were already well on the way.

Dak adjusted our ante

“CNN, can you read me?” Dak was saying. “CNN, this is private spaceship Red Thunder, calling CNN.”

“Don’t forget about the time lag,” Travis said. “It should be about four seconds-”

Red Thunder, this is CNN. We are receiving your audio signal. We are not getting any television signal.”

“That’s ’cause I ain’t sent it out yet,” Dak muttered, and flipped a switch. After a short pause, the technician’s voice came on again.

“Got it! Tell Lou-”

I looked at the TV with the incoming signal. Lou was looking excited. He waved at Evelyn, interrupting her. Dak turned up the sound and beckoned us all over to the wall. Soon I could see us all assembled on our TV screen, Dak seated at his console, the rest of us standing against the wall, like a police lineup. Dak turned up the volume.

“-word coming in that we’ve acquired a signal from this alleged [310] Red Thunder. We should have the picture up in… here we go. Is this the… ah, the private spaceship Red Thunder?”

Travis held up his microphone and cleared his throat. Dak winced; amateur hour.

“Yes it is, Lou, private ship Red Thunder, on our-”

“… I’m not getting anything, what… hello, I’m hearing you and we see the picture now. To whom am I speaking? Hello? Hello?”

“You’ve got to remember the time lag, Lou,” Travis said. “It’s about four seconds now, we’re a bit beyond the orbit of the moon. The best way to handle it is to say your piece, then say ‘over.’ Okay? Over.”

Four-second pause.

“Yes… yes, I understand. Ah, is this Travis Broussard?… oh, right. Over.”

“This is Captain Travis Broussard, master of the private spaceship Red Thunder, currently blasting at one gee, constant acceleration toward the planet Mars. Over.”

Four-second pause. I watched the CNN feed instead of our own screen. CNN had us in three-fourths of the picture, with anchorman Lou’s image down in the lower right-hand corner. We looked pretty good. My hope was that Travis could handle all the talking. Or Kelly, she was a good talker.

“Thank you for talking to us, Captain Broussard. You say you’re aboard a private spaceship. How is this possible? Over.”





“It’s possible because these kids… these young people you see around me worked their butts off all summer long to build it. If you go to 1340 Wisteria Road in Daytona you’ll see the warehouse where we built it. You’re welcome to go inside, just show your credentials to the security guards.

“And it’s possible because of a revolutionary new technology that gives us almost unlimited power. Power to go anywhere in the solar system in only days or weeks, not months or years. Power to reach the stars. Or, back on Earth, the means to reduce our use of coal, oil, and nuclear power. Over.”

Four… no, almost a five-second pause.

“Captain, our science consultants here at CNN are telling us your [311] ‘revolutionary new technology,’ is that what you called it? They’re saying it’s impossible. Over.”

“That’s what I would have said, too, a year ago. But ask your technical people where this signal is coming from. Over.”

“They say it’s coming from outer space, and a long way off,” Lou admitted.

“You’re going to hear a lot of denials about this today, Lou. It’s inevitable. But it’s the truth, we are on our way to Mars, and we’ll be there in just over three days.”

“That doesn’t seem possible. That… wait, if you can get there in three days you’d be ahead of the Chinese lander, isn’t that right? Over.”

“That’s right, Lou. They should still be doing aerobraking maneuvers when we land. By the way, we seem to have damaged our main ante

“I’m sure that would look terrible to your loved ones,” Lou said, then he frowned. “But it occurs to me that a ‘loss of signal’ would be a very convenient way to cover any weaknesses in your story if, for instance, you were actually transmitting from a clandestine location here on Earth, relaying it through a very small, very fast rocket in the direction you claim to be going. Over.”

“You’re very sharp, Lou. I can’t disprove that theory just now. You’ll-”

“It’s not me, I’m no expert, this proposition was… oh, sorry, I should have waited… well, our science adviser is on his way to the studio and he suggested that theory to explain what seems flatly impossible to everyone we’ve talked to. Over.”

“As I was saying, I can’t disprove that. But you’ll all know for sure soon enough. Now, I’d like to introduce you to my crew, starting with… wait a moment, Lou. We’re just seeing your new picture, give us a moment.”

What we were seeing was the scene from the Blast-Off, down in the left-hand corner of the screen.

[312] It looked like Mom had let a camera crew into the living quarters. I saw Mom, Maria, Sam, Salty, Grace, Billy… and Caleb, back from wherever he had hidden Jubal. Some of the neighbors were in there, too, looking amazed and happy. Everyone was gathered around the television set and you’d have thought we just won the World Series and the Superbowl all at the same time. There was laughing and crying, everyone was holding long-stemmed glasses of champagne.

I came within an inch of waving at the camera, like a three-year-old.

“We’re switching live to the Blast-Off Motel,” Lou said.

“Thanks, Lou,” La Shanda Evans said. “We’ve been invited into the motel office to share this moment with the friends and relatives of the Red Thunder crew. Let’s see if I can get a word. Betty! Mrs. Garcia, can I get a few words with you? Would you like to say a few words to your son?”

Mom made an effort and calmed down. Then she looked right into the camera.

“Ma

Oh, my, did I ever wish that camera was not on me. I fought back the tears as Travis handed me the mike.

“I love you, Mom,” I said. “And don’t worry, we’re coming back, all of us.” I handed the mike back. In five seconds we saw everyone in the room react, first with a respectful silence as they heard the first part, then with cheering.

There was more. Dak got to talk to his dad for a moment, and Kelly and Alicia were introduced by Travis. Then Travis got the mike back. He paused for a moment, looking very solemn.

“I have one more thing to say,” he began, “and then we’ll take you on a tour of the good ship Red Thunder.