David Copperfield

'I am glad to see you, sir. I am sorry to observe you are in mourning. I hope Time will be good to you.'

Her impatient attendant scolds her, tells her I am not in mourning, bids her look again, tries to rouse her.

'You have seen my son, sir,' says the elder lady. 'Are you reconciled?'

Looking fixedly at me, she puts her hand to her forehead, and moans. Suddenly, she cries, in a terrible voice, 'Rosa, come to me. He is dead!' Rosa kneeling at her feet, by turns caresses her, and quarrels with her; now fiercely telling her, 'I loved him better than you ever did!'— now soothing her to sleep on her breast, like a sick child. Thus I leave them; thus I always find them; thus they wear their time away, from year to year.

What ship comes sailing home from India, and what English lady is this, married to a growling old Scotch Croesus with great flaps of ears? Can this be Julia Mills?

Indeed it is Julia Mills, peevish and fine, with a black man to carry cards and letters to her on a golden salver, and a copper-coloured woman in linen, with a bright handkerchief round her head, to serve her Tiffin in her dressing-room. But Julia keeps no diary in these days; never sings Affection's Dirge; eternally quarrels with the old Scotch Croesus, who is a sort of yellow bear with a ta

Or perhaps this IS the Desert of Sahara! For, though Julia has a stately house, and mighty company, and sumptuous di

But when society is the name for such hollow gentlemen and ladies, Julia, and when its breeding is professed indifference to everything that can advance or can retard mankind, I think we must have lost ourselves in that same Desert of Sahara, and had better find the way out.

And lo, the Doctor, always our good friend, labouring at his Dictionary (somewhere about the letter D), and happy in his home and wife. Also the Old Soldier, on a considerably reduced footing, and by no means so influential as in days of yore!

Working at his chambers in the Temple, with a busy aspect, and his hair (where he is not bald) made more rebellious than ever by the constant friction of his lawyer's-wig, I come, in a later time, upon my dear old Traddles. His table is covered with thick piles of papers; and I say, as I look around me: 'If Sophy were your clerk, now, Traddles, she would have enough to do!'

'You may say that, my dear Copperfield! But those were capital days, too, in Holborn Court! Were they not?'

'When she told you you would be a judge? But it was not the town talk then!'

'At all events,' says Traddles, 'if I ever am one -'

'Why, you know you will be.'

'Well, my dear Copperfield, WHEN I am one, I shall tell the story, as I said I would.'

We walk away, arm in arm. I am going to have a family di

'I really have been able, my dear Copperfield, to do all that I had most at heart. There's the Reverend Horace promoted to that living at four hundred and fifty pounds a year; there are our two boys receiving the very best education, and distinguishing themselves as steady scholars and good fellows; there are three of the girls married very comfortably; there are three more living with us; there are three more keeping house for the Reverend Horace since Mrs. Crewler's decease; and all of them happy.'

'Except -' I suggest.

'Except the Beauty,' says Traddles. 'Yes. It was very unfortunate that she should marry such a vagabond. But there was a certain dash and glare about him that caught her. However, now we have got her safe at our house, and got rid of him, we must cheer her up again.'

Traddles's house is one of the very houses — or it easily may have been — which he and Sophy used to parcel out, in their evening walks. It is a large house; but Traddles keeps his papers in his dressing-room and his boots with his papers; and he and Sophy squeeze themselves into upper rooms, reserving the best bedrooms for the Beauty and the girls. There is no room to spare in the house; for more of 'the girls' are here, and always are here, by some accident or other, than I know how to count. Here, when we go in, is a crowd of them, ru

And now, as I close my task, subduing my desire to linger yet, these faces fade away. But one face, shining on me like a Heavenly light by which I see all other objects, is above them and beyond them all. And that remains.

I turn my head, and see it, in its beautiful serenity, beside me.

My lamp burns low, and I have written far into the night; but the dear presence, without which I were nothing, bears me company.

O Agnes, O my soul, so may thy face be by me when I close my life indeed; so may I, when realities are melting from me, like the shadows which I now dismiss, still find thee near me, pointing upward!